KLRE Classical Music News

To find listings for the classical music you hear on KLRE Classical 90.5, check out this link.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


The great Beethoven specialist András Schiff says, "Whatever we do on the piano is a collection of illusions." If that's true, then Volker Bertelmann, the German pianist who goes by the single name Hauschka, is a master illusionist.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Piotr Anderszewski might be one of the most revered pianists of his generation, but he's also one of the most impulsive.

In 1990, at age 21, the young Pole entered the prestigious Leeds International Piano Competition. He was nearly finished with his semi-final performance when he quit playing — just walked off the stage. He felt he wasn't good enough to continue. It was a gutsy move that actually helped launch his career.

There is metal between those strings. In a video for "Limonium," Brooklyn-based composer Kelly Moran interrupts the stretched piano wire with corkscrews, forking the paths of sound.

In music, a coda is a passage that brings a musical composition to an end. This is the coda to a musical saga — the story of the Stradivarius violin that was stolen 37 years ago from my late father, violinist Roman Totenberg, and recovered in 2015.

That violin, made by Antonio Stradivari in 1734, was my father's "musical partner" for 38 years as he toured the world.

Review: Jacaszek, 'KWIATY'

Mar 9, 2017

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


Polish composer Michał Jacaszek's new album KWIATY, which translates as "flowers," strives to locate beauty in desolation. These aren't the kaleidoscopic gardens of Victorian manors. They're the dried petals inside old acrylic paperweights, their life cycles frozen in time.

Symphony orchestras and opera companies across the country continually ask the same question: How do we attract a younger and more diverse audience?

Saturday night, I discovered something of an answer at the Washington National Opera's east coast premiere of Champion, a four-year-old opera by jazz trumpeter and composer Terence Blanchard.

In 21 seasons of attending WNO performances, I've never witnessed a more diverse crowd.

Practice is a physical activity, of course, but it's also hard mental work — if you're doing it right. A new video published by TED Ed gets down to the scientific nitty-gritty of what good practice looks like, and what it does to your brain. (Think axons and myelin, not "muscle memory" — muscles don't have "memory.")

It's become an annual tradition for NPR to host a live band in our studios for a full day. This year, we upped the ante and invited around 70 musicians from Washington, D.C.'s National Symphony Orchestra to play the musical interludes between stories on All Things Considered.

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