David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
12:52 pm
Fri April 18, 2014

Undead Hipsters And An Abstract Alien Star In Two Arty Horror Pics

In Under The Skin, Scarlett Johansson plays an alien who adopts an English accent and cruises Scotland enticing hitchhikers into a darkened building.
Film4

Originally published on Fri April 18, 2014 1:20 pm

Every so often a high-toned arthouse director dips a toe into the horror genre and the results are uplifting: You realize vampires and space aliens are subjects too rich to be the sole property of schlockmeisters. That's the case with two new arty genre pictures: Jonathan Glazer's Under the Skin and Jim Jarmusch's Only Lovers Left Alive — both slow, expressionist, non-narrative, the kind of films that drive some people crazy with boredom and put others in their thrall.

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Movie Reviews
10:11 am
Fri March 28, 2014

In 'Noah,' Earth And The Bible Get A Computer-Generated Reboot

Originally published on Fri March 28, 2014 1:20 pm

Transcript

(SOUNDBITE OF MUSIC)

DAVID BIANCULLI, HOST:

Darren Aronofsky had a surprise hit in 2010 with "Black Swan," which won an Oscar for its star, Natalie Portman. His latest film, "Noah," is a big budget Bible epic based on the story of Noah's Ark. Russell Crowe plays the title character, and the movie also features Jennifer Connelly and Emma Watson.

Film critic David Edelstein has this review.

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Movie Reviews
1:18 pm
Fri February 7, 2014

Masterpieces In Peril, 'Monuments Men' Protects, But Also Panders

Critic David Edelstein says that The Monuments Men has "an all-star cast" — including Matt Damon and Cate Blanchett — but that "the stars are all low-wattage."
Claudette Barius Columbia Pictures

Originally published on Fri February 7, 2014 2:32 pm

George Clooney's The Monuments Men tells the largely true story of a squad of art experts who, near the end of World War II, are assigned to protect the masterworks of European society from Nazi theft and Allied bombardment. You'll notice those are two separate goals.

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Movie Reviews
9:31 am
Fri January 24, 2014

Middle-Aged And Divorced, 'Gloria' Takes On Life's Uncertainties

Originally published on Fri January 24, 2014 3:23 pm

Transcript

DAVE DAVIES, HOST:

This is FRESH AIR. "Gloria" is a new film from Chile that centers on a late-middle-aged divorced woman whose life is full of uncertainties. She's played by Paulina Garcia, who won the top acting prize - the Silver Bear - at the 2013 Berlin Film Festival, where the movie was a surprise hit. It opens this week in New York and Los Angeles, and wider next month. Film critic David Edelstein has this review.

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Movie Reviews
10:59 am
Fri January 17, 2014

Jack Ryan Gets A Makeover, And A Quick Trip To Moscow

Chris Pine and Keira Knightley anchor Jack Ryan: Shadow Recruit, opposite Kevin Costner as a CIA veteran and Kenneth Branagh as the story's big bad.
Larry Horricks Paramount Pictures

Originally published on Fri January 17, 2014 2:05 pm

A franchise is what we used to call a Burger King or a Shell station, but nowadays the word appears more often in relation to movies: the Star Wars franchise, the Hunger Games franchise, the Jack Ryan franchise — or in the case of Jack Ryan: Shadow Recruit, the Jack Ryan franchise reboot. I don't know what's more depressing: that what fires up studio execs is the hunt for a new franchise or that critics have adopted this business lingo uncritically.

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Movie Reviews
12:59 pm
Fri January 10, 2014

'Invisible Woman' Charts Charles Dickens' Hidden Relationship

Originally published on Fri January 10, 2014 1:30 pm

Transcript

DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies in for Terry Gross. The new film, "The Invisible Woman," charts the hidden relationship between Charles Dickens and a young actress for whom left his wife, but who for years never showed up in biographies of Dickens. It's the second film directed by Ralph Fiennes, who also plays Dickens and features Felicity Jones as the actress, Nelly Ternan.

Film critic David Edelstein has this review.

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Movie Reviews
11:18 am
Fri December 20, 2013

A Man And His Machine, Finding Out What Love Is

In the sci-fi romance Her, a lonely man (Joaquin Phoenix) finds love in a rather unexpected place — with a computer operating system named Samantha.
Warner Bros.

Originally published on Fri December 20, 2013 2:24 pm

Her is the best film of the year by a so-wide margin. It's gorgeous, funny, deep — and I can hear some smart aleck say, "If you love it so much, why don't you marry it?" Let me tell you, I'd like to!

I certainly identify with the protagonist, Theodore Twombly, who falls in love with his computer operating system, his OS, which calls itself — sorry, I gotta say "who calls herself" — Samantha, and who sounds like a breathy young woman.

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Movie Reviews
11:34 am
Fri December 13, 2013

A 'Hustle' With Flow (And Plenty Of Flair)

A '70s con-artist couple (Christian Bale and Amy Adams) are forced to team up with an FBI agent (Bradley Cooper, right) in American Hustle, inspired by a real-life sting targeting corrupt politicians.
Francois Duhamel Columbia Pictures

Originally published on Fri December 13, 2013 1:46 pm

David O. Russell hovers at the top of my list of favorite directors. He captures the messy collision of self-interests that for him defines America. In American Hustle, he whips up a black comedy based on Abscam, the late-'70s FBI sting that centered on a bogus sheik and led to the bribery convictions of sundry U.S. politicians. But he doesn't tell the real Abscam story; he adapts it to fit his theme, which is that most of us are busy reinventing ourselves and conning one another.

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Movie Reviews
12:34 pm
Fri December 6, 2013

Great Soundtrack Aside, 'Inside Llewyn Davis' Hits A Sour Note

In the Coen brothers' latest film, down and out Llewyn Davis (Oscar Isaac) is trying to make ends meet as a folk singer in New York in the early 1960s.
Alison Rosa Long Strange Trip/CBS Films

Originally published on Fri December 6, 2013 2:05 pm

The films of Joel and Ethan Coen pose a challenge: How do we reconcile their wildly disparate tones? Consider O Brother, Where Art Thou?, a burlesque of Homer's Odyssey centering on three stumblebums — but with a soundtrack assembled by T Bone Burnett of heartfelt historical gospel and country music. Ditto The Ladykillers: venal idiot characters, soaring African-American spirituals. The ridiculous and the sublime sit side by side, with no spillover.

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Movie Reviews
6:03 am
Fri November 29, 2013

A Korean Cult Thriller Gets A Spike Lee Makeover

After 20 years in captivity, Joe (Josh Brolin) is released into the world with a hammer and an appetite for revenge in Oldboy, a Spike Lee remake of the 2003 South Korean film.
Hilary Bronwyn Gayle FilmDistrict

Originally published on Mon December 2, 2013 9:04 am

Spike Lee's movies typically carry the label "A Spike Lee Joint," but Oldboy doesn't. He calls it "a Spike Lee Film," which my guess is Lee's way of saying he's a gun for hire — and that after a line of box office failures and difficulty getting financing for personal projects, he can make a fast, violent action thriller.

And as it happens, he can — a more-than-decent one. But this is also the first time I've come out of a Spike Lee film, bad or good, and not known why it had to be made. It's brutal, effective and utterly without urgency.

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