Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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Theater
9:37 am
Sun April 20, 2014

Daniel Radcliffe's 'Crippled' Role Reaches Out To The Remote

Daniel Radcliffe (right) plays Billy, in a scene with Pat Shortt as Johnnypateenmike, in the Broadway production of Martin McDonagh's The Cripple of Inishmaan.
Johan Persson Michael Grandage Company

Originally published on Sun April 20, 2014 10:53 am

Even before he finished his eight-film run as Harry Potter, actor Daniel Radcliffe spent a considerable time devoted to the stage, both in London and New York. He appeared on Broadway in Equus and spent a year playing J. Pierrepont Finch, the lead role in the musical How to Succeed in Business Without Really Trying.

On Sunday night, the 24-year-old actor opens at Broadway's Cort Theatre in a production of Martin McDonagh's dark Irish comedy, The Cripple of Inishmaan.

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Music News
9:26 am
Thu February 13, 2014

Collecting Money For Songwriters, A 100-Year Tug Of War

ASCAP CEO John LoFrumento, member Katy Perry and president Paul Williams at the 2012 Annual ASCAP Pop Music Awards in Hollywood, Calif.
Frank Micelotta PictureGroup

Originally published on Thu February 13, 2014 5:06 pm

A hundred years ago, the Italian operatic composer Giacomo Puccini was having lunch in New York with Victor Herbert, the leading composer of operettas in this country. Then, the band in the restaurant began playing music from Herbert's current hit, Sweethearts. Puccini became outraged, according to songwriter Paul Williams, the current president of the performing-rights organization ASCAP.

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Theater
2:30 am
Mon February 3, 2014

'After Midnight,' And The Cotton Club Is Swinging Again

Fantasia Barrino, the American Idol winner who went on to play the lead role in Broadway's The Color Purple, was among the rotating roster of guest stars in After Midnight, a Broadway revue celebrating Harlem's legendary Cotton Club and the stars who performed there.
Matthew Murphy

Originally published on Mon February 3, 2014 6:43 am

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Deceptive Cadence
8:38 am
Sat January 11, 2014

Oppression To Opera: Could A Woman's Courage Change Pakistan?

Left to right: Kamala Sankaram as Mukhtar Mai, Steve Gokool, Theodora Hanslowe, Leela Subramaniam, Kannan Vasudevan, Manu Narayan.
Prototype Opera Festival

Originally published on Sat January 11, 2014 11:53 am

Mukhtar Mai is from a small tribal village in Pakistan. In 2002, her brother was accused of sexually molesting a woman from a wealthy land-owning clan. What happened next was horrifying, says singer and composer Kamala Sankaram.

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Theater
2:26 am
Fri January 3, 2014

Broadway's 'Spider-Man' Musical Turns Off The Lights At Last

Reeve Carney (right) handed off the lead role in Spider-Man: Turn Off the Dark to successor Justin Matthew Sargent in September 2013. The show closes Jan. 4, and the Smithsonian Institution announced today that it's acquiring Carney's costume.
Rob Kim Getty Images

Originally published on Fri January 3, 2014 8:23 am

Regardless of how critics and audiences eventually responded, Spider-Man: Turn Off the Dark was always going to be one of the most-discussed shows in Broadway history. It had songs by U2's Bono and the Edge; it was directed by The Lion King's Julie Taymor; it was based on a hit Marvel franchise; there were going to be flying stunts right over the audience's heads.

And then somehow it all went very wrong, from injured actors to huge cost overruns.

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Business
3:34 am
Tue December 17, 2013

New Owner Promises Handmade Steinways For Years To Come

Some Steinway company representatives and employees — like Wally Boot, pictured here — have been working for the company for decades. Boot is the last person to touch every piano that leaves the factory in Queens, N.Y.
Craig Warga Bloomberg/Getty

Originally published on Tue December 17, 2013 11:30 pm

For 160 years, the pianos made by Steinway & Sons have been considered the finest in the world. So when hedge fund billionaire John Paulson recently bought the company, it struck fear in the hearts of musicians: Would the famously handcrafted pianos be changed, for the sake of efficiency? Paulson, who owns several Steinways himself, says nothing will change.

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Books News & Features
4:48 am
Sun October 27, 2013

Energetic, Intimate 'Letters' Reveal Private Leonard Bernstein

Composer and conductor Leonard Bernstein, shown here conducting the New York Philharmonic orchestra in 1963, was a legend in American music. Letters to and from Bernstein have been compiled into The Leonard Bernstein Letters, a new book edited by Nigel Simeone.
Express Newspapers Getty Images

Originally published on Sun October 27, 2013 1:10 pm

Leonard Bernstein was a singular American genius. One of the great orchestra conductors of the 20th Century, he was also a composer of hit musicals like West Side Story, as well as symphonies and ballets. He was a teacher and television personality — his Young People's Concerts introduced generations of children to classical music.

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Deceptive Cadence
4:05 pm
Tue October 1, 2013

Chronicle Of A Death Foretold: New York City Opera Shuts Its Doors

The New York City Opera let its final curtain fall Saturday night at the Brooklyn Academy of Music in a production of Anna Nicole by Mark-Anthony Turnage.
Stephanie Berger

Originally published on Wed October 2, 2013 5:16 pm

This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.

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Theater
3:51 pm
Thu September 26, 2013

An American Masterpiece, And A 'Menagerie' Of Stars

In a Broadway transfer of the American Repertory Theatre's acclaimed production of The Glass Menagerie, Cherry Jones plays Amanda, mother to the very troubled Laura (Celia Keenan-Bolger). The play cemented Tennessee Williams' reputation as an American original when it premiered in 1945.
Michael J. Lutch

Originally published on Thu September 26, 2013 6:19 pm

Pop-culture aficionadoes will know Zachary Quinto as Spock in the cinematic reboot of Star Trek, and Cherry Jones as President Taylor from television's 24.

But both are accomplished stage actors as well. And tonight, they're opening on Broadway, in a revival of Tennessee Williams' classic play The Glass Menagerie.

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Deceptive Cadence
5:05 pm
Tue September 10, 2013

New York City's 'People's Opera' May Face Its Final Curtain

Pamela Armstrong (left) as Alice Ford and Heather Johnson as Meg Page in New York City Opera's production of Falstaff. The so called people's opera may have to cancel its upcoming season if fundraising falls short.
Carol Rosegg New York City Opera

Originally published on Tue September 10, 2013 9:15 pm

There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.

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