'Perfect Little World' Imagines Family Drama Inside A Utopian Compound

Jan 30, 2017
Originally published on January 30, 2017 2:26 pm

Utopian communities don't fare much better in fiction than they do in real life. As the plot usually unfolds, a brave new world loses its luster fast when the failings of its founder are exposed, or when the community itself begins to morph into a cult. Think of Lauren Groff's Arcadia or Carolyn Parkhurst's Harmony, two recent novels that have imagined alternative communities and their inevitable crack-up.

How could it be otherwise in fiction? As the Talking Heads told us, "Heaven is a place where nothing ever happens." A novel about heaven, about a successful utopia without sin or tension, would be pretty dull, indeed.

Fortunately for us readers, the experimental ideal community that Kevin Wilson brings to life in his second novel, Perfect Little World, has the delicious makings of a mess from its very inception.

Wilson broke out with his 2011 debut novel, The Family Fang, about two married, avant-garde artists who deploy their children as props in their performance pieces. That novel was ingenious — a whirlwind of screwball comedy, art and sad realizations about the limitations of family.

Wilson is still thinking hard about the idea of family in Perfect Little World. This is in some ways a calmer, less quirky novel, but what Perfect Little World loses in eccentricity, it gains in emotional depth.

Wilson's story focuses on Isabel "Izzy" Poole, a smart, self-contained, high school senior in Tennessee who falls in love with her depressed art teacher and becomes pregnant. Izzy's mom is dead, her alcoholic dad is just barely scraping by, and her teacher-lover is too entangled with his own demons to be of any use. Izzy, who's a quietly compelling character, has decided to keep her baby.

She comes to the attention of something called The Infinite Family Project. Cooked up by a child psychologist named Dr. Grind and funded by a billionaire who cherishes happy memories of being raised in a caring orphanage, the project aims to place 10 infants and their parents in a state-of-the-art commune for 10 years. The children will be raised by all the adults, and for a long stretch, they won't know who their biological parents are.

The aim is to see if both adults and children are happier and healthier when the pressures of child rearing are widely distributed. Young as she is, Izzy knows this mega blended family is probably doomed, but single motherhood isn't looking like a walk in the park either. Here's her rationale for taking a chance on the project:

[Izzy] thought, for the millionth time, of her future as it lay before her without the aid of this project, working two jobs to make ends meet, her son in the cheapest day care she could find, so tired at the end of the day that her baby felt like an unbreakable curse, failing each and every day until the bottom fell out of the world.

Wilson richly imagines the mundane details of life in the futuristic compound, as well as the bumpy personalities of the other parents, all of whom, except Izzy, are coupled.

A year in, a research assistant to Dr. Grind declares: "The kids are going to be great; the parents are the unstable element." That's partly because the adults have trouble figuring out what they are to one another: "Brothers and sisters?" "Second cousins?"

One night, as Izzy and some of the other parents are sitting around drinking whiskey smashes, another mom suggests that they're all "like the cast of Gilligan's Island." One of the fathers points out: "There was a lot of sexual tension on that show." Uh huh. The snake has been let into this nursery-land Eden, which is soon rocked by illicit hook-ups, the likes of which Ginger, the Professor and Mary Ann dared not even dream of.

Wilson is such an inventive and witty writer, that it was only after I'd finished Perfect Little World and was no longer caught up in the story, that I realized how many ideas he raises here, how many kinds of family arrangements he scrutinizes, among them biological, chosen, nuclear, communal, broken and bandaged.

The utopian Infinite Family Project may be flawed from the get-go, but Wilson's "perfect little world" of a novel pretty much lives up to its title.

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TERRY GROSS, HOST:

This is FRESH AIR. Are there better ways to raise children? That's the subject of countless advice books and also the question that Kevin Wilson's latest novel "Perfect Little World" tries to answer. Our book critic Maureen Corrigan has a review.

MAUREEN CORRIGAN, BYLINE: Utopian communities don't fare much better in fiction than they do in real life. As the plot usually unfolds, a brave new world loses its luster fast when the failings of its founder are exposed, or when the community itself begins to morph into a cult. Think of Lauren Groff's "Arcadia" or Carolyn Parkhurst's "Harmony," two recent novels that have imagined alternative communities and their inevitable crack-up. How could it be otherwise in fiction? As the Talking Heads told us, heaven is a place where nothing ever happens. A novel about heaven, about a successful utopia without sin or tension, would be pretty dull, indeed.

Fortunately, for us readers, the experimental ideal community that Kevin Wilson brings to life in his second novel, "Perfect Little World," has the delicious makings of a mess from its very inception. Wilson broke out with his 2011 debut novel, "The Family Fang," about a married couple, avant-garde artists, who deploy their two children as props in their performance pieces. That novel was ingenious, a whirlwind of screwball comedy, art and sad realizations about the limitations of family. Wilson is still thinking hard about the idea of family in "Perfect Little World." This is, in some ways, a calmer, less quirky novel. But what "Perfect Little World" loses in eccentricity it gains in emotional depth.

Wilson's story focuses on Isabel - Izzy - Poole, a smart, self-contained high school senior in Tennessee who falls in love with her depressed art teacher and becomes pregnant. Izzy's mom is dead. Her alcoholic dad is just barely scraping by. And her teacher-lover is too entangled with his own demons to be of any use. Izzy, who's a quietly compelling character, has decided to keep her baby. She comes to the attention of something called the Infinite Family Project cooked up by a child psychologist named Dr. Grind and funded by a billionaire who cherishes happy memories of being raised in a caring orphanage. The project aims to place 10 infants and their parents in a state-of-the-art commune for 10 years. The children will be raised by all the adults. And for a long stretch, they won't know who their biological parents are.

The aim is to see if both adults and children are happier and healthier when the pressures of child rearing are widely distributed. Young as she is, Izzy knows this mega-blended family is probably doomed. But single motherhood isn't looking like a walk in the park either. Here's her rationale for taking a chance on the project. (Reading) Izzy thought, for the millionth time, of her future as it lay before her without the aid of this project - working two jobs to make ends meet, her son in the cheapest daycare she could find, so tired at the end of the day that her baby felt like an unbreakable curse, failing each and every day until the bottom fell out of the world.

Wilson richly imagines the mundane details of life in the futuristic compound, as well as the bumpy personalities of the other parents all of whom, except Izzy, are coupled. A year in, a research assistant to Dr. Grind declares, the kids are going to be great. The parents are the unstable element. That's partly because the adults have trouble figuring out what they are to one another - brothers and sisters, second cousins? One night, as Izzy and some of the other parents are sitting around drinking whiskey smashes, another mom suggests that they're all like the cast of "Gilligan's Island." One of the fathers points out there was a lot of sexual tension on that show. The snake has been let into this nursery-land Eden, which is soon rocked by illicit hookups, the likes of which Ginger, the Professor and Mary Ann dared not even dream of.

Wilson is such an inventive and witty writer, that it was only after I'd finished "Perfect Little World" and no longer caught up in the story, that I realized how many ideas he raises here, how many kinds of family arrangements he scrutinizes among them - biological, chosen, nuclear, communal, broken and bandaged. The utopian Infinite Family Project may be flawed from the get-go, but Wilson's "Perfect Little World" of a novel pretty much lives up to its title.

GROSS: Maureen Corrigan teaches literature at Georgetown University. She reviewed "Perfect Little World" by Kevin Wilson.

Tomorrow, my guest will be screenwriter and director Jim Jarmusch. His new film "Paterson" stars Adam Driver as a poet and bus driver named Paterson, who lives in Paterson, N.J., and is inspired by William Carlos Williams' epic poem "Paterson." Jarmusch also made a recent documentary about Iggy Pop. I hope you'll join us.

FRESH AIR's executive producer is Danny Miller. Our technical director and engineer is Audrey Bentham. Our associate producer for online media is Molly Seavy-Nesper. John Sheehan directed today's show. I'm Terry Gross. Transcript provided by NPR, Copyright NPR.