Fresh Air

Mondays-Fridays, 11 a.m.-Noon and again from 7-8 p.m. on KUAR
  • Hosted by Terry Gross

NPR's Fresh Air offers fascinating interviews with people who shape, record, and deconstruct the here and now.

It wasn't a serious political gaffe, but it was awkward. On Feb. 12, the Republican National Committee tweeted a picture of the Lincoln Memorial along with the quote, "'And in the end, it's not the years in your life that count; it's the life in your years' — Abraham Lincoln."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

On Friday, two different streaming services present the first seasons of new drama series. Both are based on novels written by women, both have female characters squarely at their center — and both come to TV with accomplished women producers overseeing their adaptations.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Rhiannon Giddens' new solo album, Freedom Highway, is an exploration of African-American experiences, accompanied by an instrument with its own uniquely African-American story: the banjo.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Growing up, Jill Soloway had a hard time relating to women as they were portrayed on TV. Soloway would watch The Love Boat or Fantasy Island and feel uncomfortable with the version of femininity the shows put forth.

"In fact, all the way up through watching Sex and the City, I would feel incredibly upset by what I thought was an expectation of me," Soloway says. "[It] was, 'You should really love cute shoes,' and, 'Because you're a woman, you're going to go crazy for a particular dress.' "

Rakesh Satyal's new novel checks off a lot of boxes, but its charm lies in the fact that it wears all of it various identities so lightly. This is an immigration story, a coming-out story and something of an old-school feminist story about a timid woman learning to roar.

Pages