KLRE Classical Music News

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It's another new year and with it comes more resolutions, decisions and responsibilities.

How do you get off to a good start? That's a question many composers ask themselves when writing a piece of music. Some dive right in — BAM! Others ease into a new composition gently. See if you can identify these opening measures of music. Score high and consider yourself good to go for 2015. Score low and think about starting all over again!

Four a cappella voices making divine music: This has been the heart of Anonymous 4's mission for nearly three decades. And as the group bids farewell this season, they're saying goodbye in a poignant way — with the release of an album that couldn't feel more timely. It commemorates the 150th anniversary of the end of the Civil War and the beginning of Reconstruction.

In Memoriam 2014

Dec 29, 2014

Many musical voices went silent in 2014. We lost singers, instrumentalists, composers, conductors, producers, DJs and other visionaries. Explore their musical legacies here.

Claudio Abbado

June 26, 1933 — Jan. 20, 2014

New York is saying goodbye to another historic building. Steinway Hall, the main showroom for Steinway & Sons pianos, will be moving to a new location, leaving its home of almost 90 years on 57th Street near Carnegie Hall. The first floor has been designated a landmark and will be preserved, while the rest of the building will be torn down to build high-rise luxury condominiums.

This week on All Things Considered, NPR's Robert Siegel spoke with some of film's most thoughtful and high-profile composers — plus an up-and-comer — about what it means to tell a story with music, and how a score can enhance a scene.

We've collected five conversations that you can listen to below. You'll hear about the magic of the Wizard of Oz score, how 5/4 time inspired Halloween's terrifying theme, and why a Canadian says he's become to the go-to composer for films requiring South Asian-inspired soundtracks.

Boston's Handel and Haydn Society is one of the oldest continuously running performing arts organizations in the country. To celebrate its bicentennial this season, the group made a new recording of a holiday perennial, Handel's Messiah, which also happens to be one of the first works it staged nearly 200 years ago. Still, the Handel and Haydn Society is very different from what it was when it started.

Most years, Tom Huizenga and I spend a lot of time after Thanksgiving and well into December battling over — or, more truthfully, having many friendly but spirited discussions about — which recordings should comprise our 10 favorites of the year. We each come up with a list of 10, and then we start hammering things out in some amount of exquisite music-nerd agony. Some albums we agree upon, some are our individual picks.

Don't ask the members of the Dublin Guitar Quartet to play the time-honored classics of the Spanish repertoire. They might play traditional Spanish style classical guitars, but they're not your standard guitar ensemble. The Dubliners are strictly devoted to contemporary music. They've been commissioning new pieces and adapting others for both acoustic and electric guitars since 2002, when the group formed at the Dublin Conservatory of Music and Drama.

For the past few years, member station Q2 in New York City has been enlisting listeners in a thought-provoking year-end poll. Forget the best music of the last year — what are the very best compositions of the last century?

The words of the Stabat Mater come from an ancient Latin text describing Mary weeping at the cross over her son, Jesus. While the Catholic poem has been set to music by many — from Vivaldi to Arvo Pärt — three contemporary composers have put their own spin on the old verses.

Alissa Firsova was born in Moscow, but has lived in England since she was 4.